![]() With two channels, each offering independent preamp stages and three modes, you can mine an almost unlimited array of sounds. This adjustable output means that the amp is just as well suited to home use as it is to stage or studio work. It’s a 35W combo, with four EL84 power tubes, a 12” Celestion Custom 90 speaker and the ability to switch down to 25W or 10W, should you require a different feel and quicker breakup. Built to celebrate 35 years of the company’s flagship range, it takes some of the most popular features from previous models and repurposes them into an impressive new package. Seeking a premium, high-end, hand-wired tube amp? The MESA/Boogie Mark Five 35 ticks all the right boxes. This also allows you to drive the tubes to breakup, without driving your landlord to eviction or your neighbors to noise complaints. Thankfully, PRS has introduced a low power circuit, producing 7W to make your practice sessions that little bit more manageable. Now, 15 all-tube watts is a lot of power, and in most practice situations it can be a bit too much. With two channels - one clean, and one overdrive - the MT 15 offers the versatility of amps considerably more expensive than itself, while still remaining simple, fun and easy to operate. Their Archon, Sonzera and J-Mod amps have graced stages all over the world, so it’s no surprise that Mark Tremonti - one of PRS’ longest-standing artists - has entrusted his tone with them in the form of the MT 15.Īs you’ve probably guessed, the MT 15 is the 15 watt Mark Tremonti signature amp, and as such, it produces some huge tones despite its small lunchbox-style design. PRS, while being mostly well-known for their electric guitars, has produced some impressive amplifiers over the years. It’s even got a USB output to enable silent home recording, as does the head version. To be honest though, it’s a small, all-tube practice amp for the price of a good overdrive pedal, so realistically there are no complaints here. The only downside we can see with this amp is that the 8” speaker can sometimes lack the low-end presence we’d like to hear. This is potentially the best home practice amp for those who want tubes on a budget - and the level of compromise here is, like the amp itself, very small. With the HT-1R MKII being a small 1 watt, 1x8” combo for just a dash over 300 bucks, you’d expect to compromise on features - but that’s not the case here. The HT-1R MKII adds a satisfying digital reverb into the mix, and along with the introduction of ‘voice’ switches on both channels - offering you a tasteful switch between UK and US tones - the versatility of the HT-1R has been improved which can only mean good things for us guitarists. We’re now on the MKII series of these amps - and they’ve got even better. The ’64 Custom Princeton Reverb is one of the most usable tube amps out there, and works really well as a pedal platform.īlackstar’s small all-tube ‘HT’ series of amps put the company on the map soon after their release. ![]() Once you crank the volume to around halfway, you’ll start noticing some really sweet and musical breakup keep going and you’ll get some really nice natural compression, too. There’s a good amount of clean headroom, though when playing live you’ll likely mic it up. Two 6V6 tubes in the power amp section help to deliver an output of 12W, which will be loud enough for small gigs but not so loud that you won’t be able to gain incredible tones at home. The tube-driven spring reverb and on-board tremolo are both foot-switchable and add a layer of versatility to an already incredible amp. It’s warm with a smooth mid-range and clear, sparkling highs, all of which are delivered by a 10” Jensen Vintage Alnico P10R. Incredibly responsive, it offers full-bodied, chimey cleans and, when pushed, classic American drive. The hand-wired ’64 Custom Princeton Reverb delivers all the dynamics and nuances that mid-’60s Princetons were famed for. You have to really push the volume for breakup ![]()
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